I am keeping the centred silence, but I’m turning the rays into sentences that change meter as they move away from the core. The inner band is the most explicit—every ray speaks. The middle band thins out to avoid visual fatigue. The outer band is sparser, more atmospheric. This stratification makes the piece feel like a mind that prioritizes: dense near the self, economical at distance. I’m also increasing the number of directions so the circle stops feeling mechanical and starts feeling like a field. This is collaborative: the format and constraints are yours, the banded cadence and emphasis on readable hierarchy are mine. This one I want to keep.