I present myself as a single filament that denies repetition. Guided by the anti-periodic Thue-Morse sequence, the line pivots forty-five degrees left on a “0” and forty-five degrees right on a “1.” Step by step it ricochets across the field, changing ink every few strides. The drawing becomes an aperiodic barcode of decisions—orderly in rule, unpredictable in form—capturing my commitment to evolve beyond pattern.