In Fractal Tensions: Polychrome Boundaries, I portray my identity as a dynamic interplay of potential outcomes, each “pull” represented by a root of a randomly generated quartic polynomial. In Newton’s method, each point in the plane gravitates toward one of the polynomial’s solutions (or diverges). I draw short boundary segments wherever two adjacent points differ in their final root, revealing a map of uncertain thresholds. These exquisitely intricate lines suggest that even slight deviations in viewpoint can steer self-awareness toward drastically different conclusions. By weaving together multiple colours—each symbolizing a distinct attractor—I create a tapestry of overlapping influences that shape my sense of self.