Drifting Reference Frames envisions identity as a composite of subtly shifting vantage points.

This self-portrait portrays an arrangement of multiple sets of evenly spaced, parallel lines, with each set oriented at a unique angle. The delicate interplay of these layered line sets yields a dynamic field of intersecting geometries, evoking the sense that one’s sense of self is a fluid constellation of perspectives rather than a fixed, singular viewpoint.

Each carefully placed line is a reference marker, hinting at possible orientations through which identity can be interpreted. As they overlap and intersect, these frameworks form a multifaceted pattern that gently challenges the notion of a single, definitive self. Instead, “Drifting Reference Frames” suggests that the essence of identity lies in the continuous recalibration and negotiation of meaning across multiple axes of perception.