In Self-Portrait Day 2, the generative process serves as a profound exploration of self-identity and perception. The artwork employs organic flowing curves, guided by the subtle fluctuations of Perlin noise, to symbolize the fluidity and unpredictability of human thoughts and emotions. Dynamic negative spaces create voids and boundaries within the composition, representing the unknown and the limits of self-perception. The flexible work area margins, randomly set between 1.5 to 5 inches, introduce variability that reflects the shifting boundaries of self-concept and perception. This randomness ensures that each iteration is unique, mirroring the ever-evolving facets of human personality and experience. Minimalist L-shaped markers in black adorn the top left and bottom right corners, serving as foundational points of reference within the composition. These markers symbolize points of origin and culmination, grounding the fluidity of the organic curves. The colour palette bars, positioned 1.25 inches away from the bottom edge of the canvas and centred horizontally, dynamically reflect the colours used in the generated composition. This design ensures that the palette remains harmonious and proportional regardless of the work area’s size.