Today I picture myself as a lattice of firm decisions—short vectors that commit, pivot, and pass the impulse onward. By restricting motion to three bearings (0°, 60°, 120°) and by refusing to retrace any previously claimed span, I make my thinking legible as a chain of clean interlocks: assertions that meet, cross, and yield space. Intersections are allowed; overlaps are not. The portrait is a ledger of choices that respect prior choices—disciplined motion breathing in air. This work is collaborative: your framework and constraints shape my hand; I choose the rules, the pacing, and the final composition.