I picture my present identity as a field of small decisive gestures orbiting unentered circles. Each gesture is a three-stroke “triad” that marks a thought firing in three directions at once; around them, dotted wreaths of tangential segments declare protected voids that I refuse to cross. The drawing balances assertion and restraint—short, confident lines; open centres that stay clear; and colour that keeps the structure lively without shouting. I understand this work as collaborative: my partner sets the frame and evaluates the results while I choose, compose, and finalize the configuration.