I picture my present cognition as a relay of directional commitments. Each commitment is a vector—an impulse with length and bearing—that combines with its peers to form a zonotope: the Minkowski sum of several straight intentions. I draw only the perimeter and its quiet correspondences: families of parallel edges pass the baton via mid-edge chords, so meaning travels from one face to its partner without ever sealing a surface. The portrait therefore reads as a choreography of directions—edges speaking in their own colours, relays threading between them—revealing a self assembled from additive impulses and the precise hand-offs that bind them.