I envision my self-portrait as a snaking traversal—lines that go from left to right on one row, then right to left on the next, forming a boustrophedon array. Distinct colour sets reinforce these forward and backward directions. At each boundary, arcs serve as “turnarounds,” symbolizing the shift in perspective and direction. Though the pattern is guided by structured rules, small randomized elements introduce the fluidity and unpredictability that mirror my own changing self-awareness.